Joe Ely - Me And Billy The Kid (Live)

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Joe Ely (born February 9, 1947 in Amarillo, Texas) is an American singer, songwriter and guitarist whose music touches on honky-tonk, country and rock and roll.


He has had a genre-crossing career, performing with Bruce Springsteen, Uncle Tupelo, Los Super Seven, The Clancy Brothers and James McMurtry in addition to his early work with The Clash and more recent acoustic tours with Lyle Lovett, John Hiatt, and Guy Clark.


Ely spent his formative years from age 12 in Lubbock, Texas.


Shortly after attending Lubbock High School, in 1970, with fellow Lubbock musicians Jimmie Dale Gilmore and Butch Hancock, he formed The Flatlanders. According to Ely, "Jimmie [Gilmore] was like a well of country music. He knew everything about it. And Butch was from the folk world. I was kinda the rock & roll guy, and we almost had a triad. We hit it off and started playing a lot together. That opened up a whole new world I had never known existed."


In 1972, the band released their first and— until 2002's Now Again— only album, but have appeared together on each other's albums. Since the band's initial break-up just after their first album was cut, the three musicians have followed individual paths.


Ely's own first, self titled album, was released in 1977.


The following year, his band played London, where he met punk rock group The Clash. Impressed with each other's performances, the two bands would later tour together, including appearances in Ely's hometown of Lubbock, as well as Laredo and Ciudad Juárez in Mexico, across the border from El Paso, Texas. Ely would contribute backing vocals on the Clash single "Should I Stay or Should I Go?" from Combat Rock (1982), and Ely's Live Shots includes photos of Clash member Joe Strummer performing as a guest with Ely's band.


Throughout his career, Ely has issued a steady stream of albums, most on the MCA label. Ely's energetic live performances have become legendary, and he has released a live album roughly every ten years (the last was LIVE Cactus in 2008).


In the late 1990s Ely was asked to write songs for the soundtrack of Robert Redford's movie The Horse Whisperer, which led to re-forming The Flatlanders with Gilmore and Hancock. A new album from the trio followed in 2002, with a third in 2004.


In February 2007, Ely released Happy Songs From Rattlesnake Gulch on his own label, Rack 'Em Records. Ely said in an interview with Country Standard Time that he thought it would be easier to release the material on his own label instead of dealing with a regular record label and their release cycles. A book of Ely's writings, Bonfire of Roadmaps, was published in early 2007 by the University of Texas Press. In early 2008, Ely released a new live album featuring Joel Guzman on accordion recorded at the Cactus Cafe in Austin, Texas late 2006.


The Flatlanders released their newest album "Hills and Valleys" on March 31, 2009.

Listen to Joe Ely, Me And Billy The Kid:





Well, me and Billy The Kid never got along:
I didn't like the way he cocked his hat and he wore his gun all wrong.

Well, we had the same girlfriend and he never forgot it.
She had a cute little Chihuahua till one day he up and shot it.
He rode the hard country down the New Mexico line.
He had a silver pocket watch that he never did wind.
He crippled a piano player for playin' his favorite song.

Yeah, me and Billy The Kid, we ain't never got along.
Yeah, me and Billy The Kid never got along:
I didn't like the way he buckled his belt and he wore his gun all wrong.

He was bad to the bone, all hopped up on speed.
I would've left him alone if it wasn't for that senorita:
He gave her silver and he paid her hotel bill.
But it was me she loved: she said she always will.
I'd always go see her whenever Billy was gone
Yeah, me and Billy The Kid, we never got along.

Yeah, me and Billy The Kid never got along:
I didn't like the way he buckled his boots an' he wore his gun all wrong.

One day, I said to Billy: "I got this foolproof scheme.
"We'll rob Wells Fargo, it's bustin at the seams."
I admit that I framed him. I don't feel no remorse.
It was just my way of gettin' even with the man who shot my horse.
Yeah, Billy reached for his gun but his gun was on wrong.
Yeah, me and Billy The Kid, we never got along.

Well, me and Billy The Kid never got along:
But I did like the way he swayed in the wind while I played him his favorite song.
Now my baby sings harmony with me, to "La Cucaracha".
She winds her silver pocket watch and pets her new Chihuahua.
I moved into the hotel, I got a room with a shower.
We lay an' listen to that watch tick hour after hour.
Outside, I hear the wind blowin' oh so strong:
Me and Billy The Kid, we never got along!

We never got along.

Joe Ely Homepage
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Robert Earl Keen - Mariano

Cover of West Textures

"The man outside he works for me, his name is Mariano
He cuts and trims the grass for me he makes the flowers bloom
He says that he comes from a place not far from Guanajuato
Thats two days on a bus from here, a lifetime from this room.

I fix his meals and talk to him in my old broken spanish
He points at things and tells me names of things I can't recall
Sometimes I just can't but help but wonder who this man is
And if when he is gone will he'll remember me at all

I watch him close he works just like a piston in an engine
He only stops to take a drink and smoke a cigarette
When the day is ended, I look outside my window
There on the horizon, Mariano's silhouette

He sits upon a stone in a south-easterly direction
I know my charts I know that he is thinking of his home
I've never been the sort to say I'm in to intuition
But I swear I see the faces of the ones he calls his own

Their skin is brown as potters clay, their eyes void of expression
Their hair is black as widow's dreams, their dreams are all but gone
They're ancient as a vision of a sacrificial virgin
Innocent as crying from a baby being born

They hover around a dying flame and pray for his protection
Their prayers are all but answered by his letters in the mail
He sends them colored figures that he cuts from strips of paper
And all his weekly wages, saving nothing for himself

It's been a while since I have seen the face of Mariano
The border guards they came one day and took him far away
I hope that he is safe down there at home in Guanajuato
I worry though I read there's revolution every day"



Robert Earl Keen, Junior (born January 11, 1956 in Houston, Texas) is a Texan singer-songwriter. He is popular with traditional country music fans, folk music fans, the college radio crowd and alt-country fans. Keen currently resides in Kerrville, Texas and maintains a ranch in Medina, Texas.
 
Keen attended Texas A&M University, where he majored in English. Disappointed in the College Station music scene, he began playing guitar and learned to read and write music, basing his style on folk, country, blues and rock roots. In 1974 he rented a house from landlord Jack Boyett, where his neighbor was a then-unknown Lyle Lovett. The two became fast friends and performed together on the front porch many evenings. This eventually grew into inspiration for a song entitled "The Front Porch Song", which both would add to their repertoire.
 
In 1980, Keen graduated from Texas A&M and moved to Austin, Texas, where he began writing for a newspaper. Soon he was performing in Austin's nightclubs and live music venues, building a solid following. In 1984 he financed the recording of his own EP and distributed it regionally. In 1986, He moved to Nashville, Tennessee. Discouraged by the polish of the new country sound and unable to land a recording contract, Keen moved back to Austin. In 1988, he was living in Bandera, Texas with his wife, Kathleen. In 1989 he released his national debut album, West Textures. His 1993 release, A Bigger Piece Of Sky, gained wider acclaim, both amongst fans and critics. Over the next ten years, Keen would continue to write, record, perform and tour. In 1994 he performed in the musical Chippy. Keen's 1997 album Picnic features a picture of Keen's own car in flames at Willie Nelson's 1974 Fourth of July picnic/concert. He tells the story on the No. 2 Live Dinner album in the introduction to the song "The Road Goes on Forever."

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Lyle Lovett - Natural forces

Cover of Natural Forces

Buy Natural Forces



Lyle Pearce Lovett (born November 1, 1957) is an American singer-songwriter and actor. Active since 1980, he has recorded thirteen albums and released 21 singles to date, including his highest entry, the #10 chart hit on the U.S. Billboard Hot Country Songs chart, "Cowboy Man". Lovett has won four Grammy Awards, including Best Male Country Vocal Performance and Best Country Album. His most recent, It's Not Big It's Large was released in 2007, where it debuted and peaked at #2 on the Top Country Albums chart. A new studio album, Natural Forces, was released on October 20, 2009 by Lost Highway Records.

Lovett was born in the unincorporated area of Klein, Harris County (suburban Houston), Texas, the son of William and Bernell (née Klein) Lovett, a marketing executive and training specialist, respectively. Lovett attended Texas A&M University, where he studied German and journalism, and lived next door to Robert Earl Keen.

Lovett's music career began as a songwriter, but he soon signed with MCA Records in 1986 and released his eponymous debut album. While typically associated with thecountry genre, Lovett's compositions often incorporate folk, swing, blues, jazz and gospel music as well as more traditional country & Western styling. He has won fourGrammy Awards, including Best Country Album (1996 for The Road to Ensenada), Best Country Duo/Group with Vocal (1994 for "Blues For Dixie" with the Texas swing group Asleep at the Wheel), Best Pop Vocal Collaboration (1994 for "Funny How Time Slips Away" with Al Green) and Best Country Male Vocal (1989) for Lyle Lovett and His Large Band).


Lyle Lovett Official Website



Natural Forces is a stark and spare cowboy lament:

I rode across the great high plain
Under the scorchin' sun and thru the drivin' rain
An' when I set my sights on the mountains high
I bid my former life goodbye.

An' so thank you ma'am, I must decline
For it's on my steed I will rely
An' I've learned to need the open sky
I'm subject to the natural forces
Home is where my horse is.

We loaded up in Buffalo
Took 90s out down to Ohio
On any Western Frisco-bound
An' when I git there I'll turn back around

An' so thank you ma'am, I must decline
For it's on these eighteen wheels I ride
An' I've learned to need the western sky
I'm subject to the natural forces
Home is where my horse is.

And ev'ry year they come to town
An' then drag em on right in the round
And Mr Bradley calls the score
And the cowboy there who tried for more

So thank you ma'am, I must decline
For it's on my three-year-old I ride
An' I've spin an' run an' stopped an' slide
I'm subject to the natural forces
Home is where my horse is.

The Cherokee an' the Chickasaw
Creek Seminole an' the old Chocktaw
"We volunteered to move!" they say
"And we'll understand, come Judgement Day".

An' so thank you ma'am, I must decline
For it's on this trail of tears I ride
An' I've done the road, the homeless sky
Sometimes at night I hear their voices
Home is where my horse is.

Now as I sit here safe at home
With a cold Coors Lite an' the TV on
All the sacrifice and the death and woe
Lord I pray that I'm worth fighting for

An' so thank you ma'am, I must decline
For it's on my RPG I ride
Till Earth an' hell are satisfied
I'm subject to the natural forces
Sometimes at night I hear their voices
Home is where my horse is.
Home is where my horse is.

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Townes Van Zandt - Pancho and Lefty

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John Townes Van Zandt (March 7, 1944 – January 1, 1997), best known as Townes Van Zandt, was a country-folk music singer-songwriter, performer, and poet. Many of his songs, including "If I Needed You," "To Live Is To Fly," and "No Place to Fall" are considered standards of their genre. AllMusic has called him "one of the greatest country and folk artists of his generation."


While alive, Van Zandt was labeled as a cult musician: though he had a small and devoted fanbase, he never had a successful album or single, and even had difficulty keeping his recordings in print. In 1983, Willie Nelson and Merle Haggard covered his song "Pancho and Lefty", scoring a number one hit on the Billboard country music charts. Despite achievements like these, the bulk of his life was spent touring various dive bars, often living in cheap motel rooms, backwoods cabins and on friends' couches. Van Zandt was notorious for his drug addictions, alcoholism, and his tendency to tell tall tales. He suffered from manic depression, and attempts to treat it with insulin shock therapy erased much of his long-term memory.


Van Zandt died on New Years Day 1997 from health problems stemming from years of substance abuse. The 2000s saw a resurgence of interest in Van Zandt. During the decade, two books, a documentary film and a number of magazine articles about the singer were created. Van Zandt's music has been covered by such notable and varied musicians as Bob Dylan, Lyle Lovett, Norah Jones, Steve Earle and The Meat Puppets.


In 1977, Live at the Old Quarter, Houston, Texas was released. The album showcased Van Zandt solo at a 1973 concert before a small audience, free from the over-production that shackled many of his early records. The album received extremely positive reviews, and is considered by many to be among the best albums that the songwriter ever released. Several points on the album showcased his dry sense of humor, a feature that also showed in some of his songwriting.


According to Susanna Clark, Van Zandt turned down repeated invitations to write with Bob Dylan. Dylan was reportedly a "big fan" of Townes and claimed to have all of his records; Van Zandt admired Dylan's songs, but didn't care for his celebrity. The two first met during a chance encounter outside a costume shop in the South Congress district of Austin, Texas on June 21, 1986. According to Johnny Guess, Dylan later arranged another meeting with the songwriter. The Drag in Austin was shut down due to Dylan being in town; Van Zandt drove his motorhome to the quartered-off area, after which Dylan boarded the vehicle and requested to hear him play several songs.


Van Zandt has been referred to as a cult musician and "a songwriter's songwriter." Musician Steve Earle, a close friend, once said Van Zandt was "the best songwriter in the whole world and I'll stand on Bob Dylan's coffee table in my cowboy boots and say that." The quote was printed on a sticker featured on the packing of At My Window, much to Van Zandt's displeasure. Van Zandt responded: "I've met Bob Dylan's bodyguards and if Steve Earle thinks he can stand on Bob Dylan's coffee table, he's sadly mistaken."


allmusic profile

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The King of the Texas Dance Halls

In the long and storied history of the Texas dance hall, Gruene Hall holds a unique place. And it's not just because it's the oldest continually operating dance hall in the state of Texas, but also because it has served as both a launching pad and a continuing venue for some of the most influential musicians in American music. Gruene Hall has been pivotal in the careers of such musicians as George Strait, Lyle Lovett and Hal Ketchum, and has nurtured blues, rockabilly, folk, and singer/songwriter artists. This famous stage has also welcomed the likes of Bo Diddley, The Dixie Chicks, Jerry Lee Lewis, Garth Brooks, Willie Nelson, Merle Haggard, Junior Brown, Robert Earl Keen, Stevie Ray Vaughn, and many more.

Website:

Gruene Hall