Showing posts with label Blues. Show all posts
Showing posts with label Blues. Show all posts
Sunday, March 28, 2010
Guitar Shorty - Please Mr. President
"Please Mr. President lay some stimulus on me.
Please Mr. President place some stimulus on me.
Cause I'm just a working man tryin to feed my family.
I used to have a good job working forty hard hours a week.
Had money in the bank and a mortgage I could meet.
But then they started to lay off and got a hold of me.
Now that mean ol' banker trying to put me in the street.
Please Mr. President lay some stimulus on me.
Please Mr. president place some stimulus on me.
Cause I'm just a working man tryin to feed my family.
I'm playin this for you, Mr. President!
Now I sure don't mind workin'- I'm not scared to break a sweat.
I'm not lookin' for a bailout, but I gotta pay my debts.
I don't know how to be a bad guy, I'm not gonna steal and rob.
But if I'm gonna feed my children, I gotta have some kind of job.
Please, please, please Mr. President lay some stimulus on me.
Please Mr. President place some stimulus on me.
Cause I'm just a working man tryin to feed my family.
I've got to have it, you know I need it.
Everybody needs stimulus."
GUITAR SHORTY
GUITAR SHORTY ON AMAZON
Credited with influencing both Jimi Hendrix and Buddy Guy, Blues veteran Guitar Shorty has been electrifying audiences for five decades with his supercharged live shows and his incendiary recordings (beginning in 1957 with a Willie Dixon-produced single on the Cobra label). Through the years, Shorty has performed with blues and R&B luminaries like Ray Charles, Sam Cooke, B.B. King, Guitar Slim and T-Bone Walker. Although he had recorded a handful of singles for a variety of labels, it wasn’t until the 1990s that the wider world opened its collective ears to one of the blues’ most exciting performers. His albums since then all received massive critical acclaim, and his legendary live performances have kept him constantly in demand all over the world.
Guitar Shorty (born David William Kearney, September 8, 1939, Houston, Texas) is an American blues guitarist. He is well known for his explosive guitar style and wild stage antics. Billboard magazine said, “his galvanizing guitar work defines modern, top-of-the-line blues-rock. His vocals remain as forceful as ever. Righteous shuffles…blistering, sinuous guitar solos.”
Tuesday, March 23, 2010
Storyville - Rain of Love
STORYVILLE ON MY SPACE
STORYVILLE ON AMAZON
Storyville was a blues-rock band formed in 1994 in Austin, Texas, USA. Drummer Chris Layton and bassist Tommy Shannon, former members of Arc Angels and the rhythm section for Stevie Ray Vaughan's band Double Trouble, formed the band with Malford Milligan after a jam session at Antone's.
After releasing an album on November Records in 1994, the band won a total of nine Austin Music awards; they became stalwarts on the local music scene and toured nationally. They subsequently signed to major label Atlantic Records, for whom they recorded two albums before breaking up. The single "Born Without You", from their 1998 release Dog Years, reached #28 on the BillboardMainstream Rock chart.
Members:
Malford Milligan – lead vocals
David Grissom – guitar/vocals
David Holt - guitar/vocals
Tommy Shannon – bass
Chris Layton – drums
Wednesday, December 9, 2009
Lightnin' Hopkins - Mojo Hand
Lightnin' Hopkins
Sam "Lightnin’" Hopkins (March 15, 1912 — January 30, 1982 was a country blues guitarist, from Houston, Texas, United States. Born in Centerville, Texas, Hopkins' childhood was immersed in the sounds of the blues and he developed a deeper appreciation at the age of 8 when he met Blind Lemon Jefferson at a church picnic in Buffalo, Texas. That day, Hopkins felt the blues was "in him" and went on to learn from his older (somewhat distant) cousin, country blues singer Alger "Texas" Alexander. Hopkins began accompanying Blind Lemon Jefferson on guitar in informal church gatherings. Jefferson supposedly never let anyone play with him except for young Hopkins, who learned much from and was influenced greatly by Blind Lemon Jefferson thanks to these gatherings. In the mid 1930s, Hopkins was sent to Houston County Prison Farm for an unknown offense. In the late 1930s Hopkins moved to Houston with Alexander in an unsuccessful attempt to break into the music scene there. By the early 1940s he was back in Centerville working as a farm hand.
Hopkins took a second shot at Houston in 1946. While singing on Dowling St. in Houston's Third Ward (which would become his home base) he was discovered by Lola Anne Cullum from the Los Angeles based record label, Aladdin Records. She convinced Hopkins to travel to L.A. where he accompanied pianist Wilson Smith. The duo recorded twelve tracks in their first sessions in 1946. An Aladdin Records executive decided the pair needed more dynamism in their names and dubbed Hopkins "Lightnin'" and Wilson "Thunder".
Hopkins recorded more sides for Aladdin in 1947 but soon grew homesick. He returned to Houston and began recording for the Gold Star Records label. During the late 40s and 1950s Hopkins rarely performed outside Texas. However, he recorded prolifically. Occasionally traveling to the Mid-West and Eastern United States for recording sessions and concert appearances. It has been estimated that he recorded between 800 and 1000 songs during his career. He performed regularly at clubs in and around Houston, particularly in Dowling St. where he had first been discovered. He recorded his hits "T-Model Blues" and "Tim Moore's Farm" at SugarHill Recording Studios in Houston. By the mid to late 1950s his prodigious output of quality recordings had gained him a following among African Americans and blues music aficionados.
In 1959 Hopkins was contacted by folklorist Mack McCormick who hoped to bring him to the attention of the broader musical audience which was caught up in the folk revival. McCormack presented Hopkins to integrated audiences first in Houston and then in California. Hopkins debuted at Carnegie Hall on October 14, 1960 appearing alongside Joan Baez and Pete Seeger performing the spiritual Oh, Mary Don’t You Weep. In 1960, he signed to Tradition Records. Solid recordings followed including his masterpiece song "Mojo Hand" in 1960.
By the early 1960s Lightnin' Hopkins reputation as one of the most compelling blues performers was cemented. He had finally earned the success and recognition which were overdue. In 1968, Hopkins recorded the album Free Form Patterns backed by the rhythm section of psychedelic rock band the 13th Floor Elevators. Through the 1960s and into the 1970s Hopkins released one or sometimes two albums a year and toured, playing at major folk festivals and at folk clubs and on college campuses in the U.S. and internationally. He traveled widely in the United States, and overcame his fear of flying to join the 1964 American Folk Blues Festival; visit Germany and the Netherlands 13 years later; and play a six-city tour of Japan in 1978.
Filmmaker Les Blank captured the Texas troubadour's informal lifestyle most vividly in his acclaimed 1967 documentary, The Blues Accordin' to Lightnin' Hopkins.
Houston's poet-in-residence for 35 years, Hopkins recorded more albums than any other bluesman.
Hopkins died of cancer in Houston in 1982.
Monday, December 7, 2009
Los #3 Dinners - Chingadera
The lowdown on Los #3 Dinners
Los #3 Dinners are a mainstay of San Antonio’s diverse music scene. The story begins in 1979 with the band's first incarnation, Los #2 Dinners. After years of pounding the SA club scene, The Dinners called it quits in order to pursue personal interests in the early 1990s. Shortly after, band leader “Lenny” Eric Friedland, guitarist Frank Karpienski, bassist Bart Nichols, and blues musician/childhood friend Joe Shortt formed the short-lived blues band "The Pralines." As word of the Pralines spread around town, a renewed interest in the old #2 Dinners material emerged. In 1995, The Prailines changed their name to Los #3 Dinners after the addition of drummer Jake Perales. Thus, Los #3 Dinners was born!
The sound of Los Number #3 Dinners is a high-energy mix of guitar-driven garage rock, South Texas soul, surf-instrumental, and the blues. This ain’t no Austin band...todo S.A. vato to the max. These guys are busy playing the soundtrack to your weekend.
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