Friday, January 21, 2011

Deryl Dodd - Things are Fixing to Get Real Good

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Deryl Dodd - Home



Deryl Dodd was raised in Dallas, Texas, where he played football from an early age. After a career-ending injury, Dodd was persuaded to perform music in clubs throughout the state of Texas. In 1991, he moved to Nashville, Tennessee, forming a band along with Brett Beavers, now an established Nashville songwriter. Dodd later found work singing harmony vocals for Martina McBride, Radney Foster, and George Ducas, in addition to playing in Tracy Lawrence's road band, and co-writing a song on Tim McGraw's All I Want album.

Dodd signed to Columbia Records in 1996 as a solo act. His first album, One Ride in Vegas, was released that year, producing a Top 40 hit on the U.S. Billboard country music charts in the Tom T. Hall-penned "That's How I Got to Memphis". One Ride in Vegas was followed by an eponymous album in 1998; that same year, Dodd was nominated as Top New Male Vocalist by the Academy of Country Music. His second album also produced his biggest chart hit to date in "A Bitter End", which peaked at #26 on the country charts.

In 1999, Dodd was diagnosed with viral encephalitis, forcing him to end his career. He remained bedridden for six months, and then went through eighteen months of rehabilitation (which included re-learning how to play guitar). Once he had fully recovered, he attended several writers' nights in Nashville, and was later signed as an opening act on Tim McGraw and Faith Hill's Soul2Soul tour.

Dodd's third and final album for Columbia, Pearl Snaps, was released in 2002. Later, he recorded Live at Billy Bob's Texas, before switching to Dualtone Records in 2004 to release Stronger Proof (2004) and Full Circle (2006). In 2009, Dodd released a cover of "Together Again", originally a hit for Buck Owens.

Sunday, January 2, 2011

Nicolette Good - Ramona

Nicolette Good is the most recent winner of the San Antonio Current's reader award for best singer-songwriter. (See story).

The San Antonio music scene is a venerable one, stretching in a long and unbroken line back to Doug Sahm, The Royal Jesters of doo-wop fame, and Lydia Mendoza during the Depression and WWII years.

Good has the voice, the songwriting talent, and the musical ambition to carry on that tradition - as well as adding her own unique and hard-won vision to the S.A. music scene.




ReverbNation

Nicolette Good's Blog


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