
Monday, November 30, 2009
Sunday, November 29, 2009
Tish Hinojosa - The Westside of Town
Tish Hinojosa
Leticia ("Tish") Hinojosa (born December 6, 1955 San Antonio, Texas) is a folksinger recording in both Spanish and English. Hinojosa was the youngest of 13 children. Hinojosa's parents were Mexican immigrants, and she soaked up their music as well as the area's country sounds and popular rock and roll. She started playing guitar as a teenager, singing folk and pop songs in local clubs. She also sang commercial jingles for a Spanish-language radio station and recorded a few Latin pop songs for a local label. In 1979, she moved to Taos, NM, and eventually landed a job singing backup with Michael Martin Murphey. In 1983, she relocated to Nashville and tried to make it as a singer and/or songwriter, but found that she didn't fit the mold of what record companies wanted. In 1985, she moved back to Taos, and in 1988, she moved to Austin, TX. In 2007 she married Andreas Sedlmair and the couple maintains homes in his native Germany and Austin.
Her 1992 album Culture Swing, released by Rounder Records, won the NAIRD Indie Folk Album of the Year.
The Texas Tornados
Texas Tornados
Texas Tornados was a Tejano band and its music was a fusion of rock, country and various Mexican styles. The initial combination of these musicians happened almost by chance at a concert performance of a mutual acquaintance. After Freddy Fender, Flaco Jiménez, Kevin West, Augie Meyers, Jorge "Pac-MAN" Diaz, and Doug Sahm performed in front of a San Francisco audience, they all knew the genuine bond they felt in their music could probably be taken to another level. After they initially performed as the Tex-Mex Revue, they took the title Texas Tornados, after Sahm's song and album of that name.
Another account of the group's birth says they formed when record company executives looking to cash in on regional music sales approached Sahm and Meyers around 1990, and they brought in longtime friends and collaborators Fender and Jiménez. Sahm had released albums under the name Texas Tornados as early as the 1970s, some featuring Fender or Meyers. Jiménez and Meyers played on Sahm's Atlantic Records debut in 1971. As Fender once said "You've heard of New Kids on the Block?, we're the Old Guys in the Street".
Individually, this quartet has had major success. San Benito-native Freddy Fender was a cross-over success story around the world with hits like "Before the Next Teardrop Falls" and "Wasted Days and Wasted Nights".
Flaco Jiménez has played with acts ranging from the Rolling Stones to Dwight Yoakam. He also is known as the "Father of Conjunto Music" (Flaco plays the Conjunto accordion).
Augie Meyers has shared the stage with the likes of The Allman Brothers Band and Bob Dylan. He's also a member of the Texas Music Hall of Fame. Doug Sahm and Augie Meyers were both members of the 1960s pop-rock band the Sir Douglas Quintet, with hits such as "She's About a Mover" and "Mendocino" to their credit. Sahm, Meyers and Jiménez are from the San Antonio area.
The band's 1990 debut was recorded in both English and Spanish versions. The Texas Tornados were asked to perform all over the world at places like the Presidential Inauguration of Bill Clinton, the Montreaux Jazz Festival, as well as regular appearances at Farm Aid and the Houston Livestock and Rodeo Show.
Among their other albums is Live From The Limo, this was the last album to be recorded that featured the complete lineup, as Sahm died in 1999, the year of its release. Fender, who had health problems in later years, died in 2006. Their 2005 Live from Austin album was a recording of a 1990 performance on the TV series Austin City Limits.
People sometimes refer to their lyrics as Spanglish because of the mixture of English and Spanish in the same song, in addition to pronouncing the Spanish lyrics in an American accent, which is evident in their hit, "(Hey Baby) Que Paso". An example is the lyric: "Don't you know I love you / and my corazón is real?", where the word corazón (Spanish for "heart") is improperly pronounced /ˌkɔrəˈsoʊn/, with an obvious American accent, instead of [koɾaˈson]. The band's self-titled debut album was offered in Spanish and English-language versions.
R.I.P. Doug Sahm and Freddy Fender
The King of the Texas Dance Halls
In the long and storied history of the Texas dance hall, Gruene Hall holds a unique place. And it's not just because it's the oldest continually operating dance hall in the state of Texas, but also because it has served as both a launching pad and a continuing venue for some of the most influential musicians in American music. Gruene Hall has been pivotal in the careers of such musicians as George Strait, Lyle Lovett and Hal Ketchum, and has nurtured blues, rockabilly, folk, and singer/songwriter artists. This famous stage has also welcomed the likes of Bo Diddley, The Dixie Chicks, Jerry Lee Lewis, Garth Brooks, Willie Nelson, Merle Haggard, Junior Brown, Robert Earl Keen, Stevie Ray Vaughn, and many more.
Website:
Two Tons Of Steel Crash Into Landa Park

Texas favorites Two Tons of Steel give a decidedly western swing twist to the Ramones punk classic Sedated. (2009 KNBT Crossroads Party):
Two Tons of Steel
Texas band Two Tons of Steel might be described as equal parts Elvis Presley and Elvis Costello, with a liberal dose of Buddy Holly and a dollop of The Ramones. It’s a one-of-a-kind sound that bandleader and frontman Kevin Geil likes to call “countrybilly.”
It’s also a sound that’s boosted the group to renown as the face of Texas music: with its live performance at historical Gruene Hall; of Two Tons of Steel in the internationally released IMAX film “Texas: The Big Picture”; its performance of King of a One Horse Town in the roots-country documentary that screens continuously at Nashville’s Country Music Hall of Fame; its swing tune as part of Lone Star beer’s ongoing regional radio campaign; and by becoming Texas music ambassadors to ecstatic fans in Cuba and at sold-out shows throughout Europe. Two Tons of Steel continues as an institution at Texas’ famed Gruene Hall, where its annual Two Ton Tuesdays summer series draws 12,000 fans, and as a popular act at Nashville’s Grand Ole Opry. For eight years, it’s been voted Best Country Band by the San Antonio Current, its hometown weekly.
Lead singer Geil handles acoustic guitar, Dennis Fallon plays electric guitar, Ric Ramirez plucks the upright bass, Chris Dodds provides drums and percussion, and Texas Steel Guitar Hall of Famer Denny Mathis adds more steel muscle.
Two Tons of Steel Website
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Townes Van Zandt
